4D Chicago · Arrival
Destination
Drawing on previously researched sources
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Destination locked: Chicago, 1 July 1835. Reconstructed from the sources under Sources.
Choose Jaunts to see the first route preview.
W A S D walk · Shift run · mouse look · E inspect · Esc release
Left thumb to walk · drag the right side to look · tap a building to inspect
build 05f9b9b · Oct 30, 2026, 11:01 PM CT
Go to and the map use this choice. Jaunts keep the way each recommends, unless Jaunts use my choice is on. Then they use yours where they can.
Walk, run, take a light wagon or a horse, and put on a burst of speed with Shift. The slider sets the speed of the mode you picked and names it. Ride there takes you to a place you choose along the streets where they run; Fly over lifts you over the town and sets you down at the door. Any movement of your own stops the ride; where no walkable route exists you are taken straight there.
The default, 1.68 m, is the mean stature of an adult man in the 1830s United States — this walkthrough puts your eye where a person of the period had theirs, which is lower than a modern viewer expects and lower than the prairie grass beside you, because both of those are true of the place. Raise it if the view is uncomfortable; it changes only the camera, never the town.
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Every building is clickable. The tint and the citation come from the same record, so they cannot drift apart. Dimensional uncertainty is separate: a building can be well sourced in character and still have a guessed size, and the popup says so.
The town in numbers: what stands, who is named, and what each grade promises.
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Open Sources to load the catalog.
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Straight from the project's append-only Liberties document. Every value a record states without evidence is named in this list — an invented outline or placement, and equally a roof, a height or a porch chosen because it was usual rather than because it was found. An entry says which inventions it admits to — the dashed chips — and an automatic check holds those claims to the records both ways, failing if an invention has no admission or an admission has no invention. The rule now runs the other way as well: where a record states something the model does not build — a stable, a painted sign, a chimney count no generator reads — the popup marks that row not built or not modelled from this, and it too has to be named here. A well-evidenced feature you cannot see is as much a gap as an invention you can.
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The buildings are not the only things making claims here. The terrain is a research record too — a sourced water surface, three division levels argued out of period narrative feet, a bank face and a river cross-section that no source describes at all — and it dithers under the confidence view like everything else while never saying what was graded. These are its own statements, each with its figures, its reasoning and its citation, straight from the epoch's terrain record. Where a claim has no reasoning recorded, it says so.
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Ten habitats and every animal researched into them, stated for 1 July rather than for the year — which is the whole difficulty of the dataset, because July is the quietest wildlife date in the Chicago calendar. The birds are mostly done singing, the ducks are flightless and in cover, and several of the animals a reader expects are here only as sign or are not here at all. Each record says whether you would see it, hear it, or find only its tracks, how many, what it would be doing, and the sources behind all three. None of them is drawn in the scene. This is the research, published where a visitor can read it, and not a claim that the town in front of you is populated.
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Ten plant communities and every species researched into them, recorded for 1 July — what each one is doing in its community, how much of it the record asks for, how tall and how wide, whether it is in flower on the day, and the sources behind all of it. The communities' boundaries are the weakest claim here and each says so: the vegetation is in the sources, but no survey drew the line between one community and the next. Where a community asks for more small plants than the sward lattice can hold, the card says what share of the record you are actually standing in — under the dense timber it is half of one per cent, and that is a limit of the drawing and not a gap in the research.
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Two different findings share this one list, and the chip is how to tell them apart: an entry marked not until a later year is dated after 1 July 1835, and an entry with no chip at all had already come down. Each carries the citation the decision rests on. The view from the air stays the honest picture of the rest.
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Which is why they are not on the list of what is not here: a structure standing in the scene cannot be filed under what is not here. Each entry says what is open, what settling it would change, and the evidence it rests on — or that it rests on none.
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The known population of 1 July 1835 — everybody the sources actually name — profiled one axis at a time: headcount, sex, age, origin and arrival, roles, households, lodging, where they meet the buildings, and what kinds of people the sources show. Every row carries the grade its evidence earns, and the closing axis lists what the town should have held and the work still owed to supply it. Nobody here is invented: the reconstructed grade stands at zero on purpose.
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The order book: what the models say the town of 1 July 1835 held, minus what the sources can name, bucket by bucket — people by sex, age, division, household and trade; households by kind; the December 1835 trade census against the firms the town already holds; and the roofs the building programme still owes. Each bucket carries a counter the reconstruction tools write, so the bars fill as the town does. The section at the top is the other direction: how many of the households the book ordered now have ground under them, how many of the town’s standing roofs carry one, and which houses have been asked for and not yet built. Nothing here is a claim about 1835: it is the quota the reconstruction is held to, and every figure it collapses from a range says so.
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Adds a Research tab to every building: its evidence, liberties and full record. This device remembers it.
The scene is lit by a sky whose colour was matched to a July photograph taken at this latitude, and the default position of this slider is that measured light — which is why it says "calibrated" rather than showing a number. Raise it if the scene is hard to see: a dim room, a bright window, a phone at arm's length. It opens the exposure by up to one photographic stop and changes nothing else — no wall, roof or street is a different colour underneath it, and the brighter end is not a second reconstruction of how 1835 looked. All of this project's own measurements are taken at the calibrated position whatever you choose here.
These are worn earth tracks through prairie grass, and how much bare earth shows is a modelled figure with its own evidence behind it — so the default paints them exactly as the record describes. Raise this if they are hard to follow: on a phone in daylight, or if faint contrast is difficult to see. It changes nothing but how strongly the roads are painted on your screen, and it is not a claim that 1835 Chicago's streets looked bolder than this.
The speeds for walking, running, a wagon and a horse, your eye height and the other comfort settings are under Move.
Walks, turns and flies for about a minute and a half at Light, Fixed then Adaptive, and puts you back where you were.
Effects are the year ticker, the landing, and the Navigator's clicks and hum. Ambience is a quiet tone for each destination, made up for mood: it is not a recording of the past. Sound is off until you raise Master. It starts with your first tap, and Master at Off is silence.
DEV
A preview build: not production, and not indexed. Open production
Counted on this device only. Nothing is sent anywhere.
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